Debate time.. I was deputy priminster.. This was my script.. So, I will talk about our third and fourth reason +_+;; The topic is ' Human progress is more important that environment'
I will surport our 3rd and 4th reason.
Our third argument is that we can help poor country or people with developed technology. Do you know the African kids are dying right now while I am giving you a speech? The starvation and disease problem si growing bigger and bigger. For example, at Africa, there is no pump so thousands of African's are drinking muddy water. Inside of that water, there are so many girms and vacteria's which is very dirty and dangerous. They can cause fatal disease and make you die. But because of behind technology, they are getting pain and going to sick. Also they have no house to live and just living inside hut. at summer tens of insects attack them during night and make them laborious. Also they are having problem with starvation too. over 50% of blew 5years African children are dying of starvation. They have nothing to eat and just eat anything they wee. But, we can solve this problem by developed technology. Wd can make them pump, house too. African people gets hpoe and we can halp poor countries.
Our 4th argument is we can study more and develop the education. As the first speaker said, human progress is anything that makes human society to advance, so education is included in human progress. So, Let's think about is. When we educate more, we can learn more knowledge. It's not harmful to environment, and instead of it, it's very helpful. for example, In universty an environment courses or landscape courses, you have an education about Amazone protect and restoring environment so you can save environment by learning education. Also, when we study about it, we can produce new product more manufactured goods which helps our environment or we can be a leader of a society and make a project which make the environment make good.
Because of human progress, we can help poor countries of people with developed technology and also, we can study more and develop the education. So, conclude my speech, we strongly believe that human progess is better than environment..
Thankyou~ Because its a speech, there will be a lot of grammer mistake.. Sorry..
2011년 1월 25일 화요일
History presentation reserch
I'm going to post this weeks presentation reserch..
Ginevra de' Benci (1457–c. 1520) was an aristocrat from 15th-century Florence, admired for her intelligence by Florentine contemporaries. She is the subject of a portrait painting by Leonardo da Vinci. The oil-on-wood portrait was acquired by the National Gallery of Art in Washington, D.C., in 1967, for US$5 million paid to the Princely House of Liechtenstein, a record price at the time, from the Ailsa Mellon Bruce Fund. This portrait is currently the only painting by Leonardo in the Americas (Hand 2004).
It is known from three written sources that Leonardo painted a portrait of Ginevra de' Benci in 1474, possibly to commemorate her marriage that year to Luigi di Bernardo Niccolini at the age of 16. The painting's imagery and the text on the reverse of the panel support the identification of this picture. Directly behind the young lady in the portrait is a juniper tree. The reverse of the portrait is decorated with a juniper sprig encircled by a wreath of laurel and palm and is memorialized by the phrase VIRTUTEM FORMA DECORAT ("beauty adorns virtue"). The Italian word for juniper is "ginepro", which suggests that the juniper motif was used here as a symbolic pun on Ginevra's name. Fittingly, juniper was also a Renaissance symbol for chastity.
The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful but austere; she has no hint of a smile and her gaze, though forward, seems indifferent to the viewer. A strip from the bottom of the painting was removed in the past, presumably due to damage, and Ginevra's arms and hands were lost. Using the golden section, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original.
According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.
It's very short.. ㅠ3ㅠ;; Thank you~~
Ginevra de' Benci (1457–c. 1520) was an aristocrat from 15th-century Florence, admired for her intelligence by Florentine contemporaries. She is the subject of a portrait painting by Leonardo da Vinci. The oil-on-wood portrait was acquired by the National Gallery of Art in Washington, D.C., in 1967, for US$5 million paid to the Princely House of Liechtenstein, a record price at the time, from the Ailsa Mellon Bruce Fund. This portrait is currently the only painting by Leonardo in the Americas (Hand 2004).
It is known from three written sources that Leonardo painted a portrait of Ginevra de' Benci in 1474, possibly to commemorate her marriage that year to Luigi di Bernardo Niccolini at the age of 16. The painting's imagery and the text on the reverse of the panel support the identification of this picture. Directly behind the young lady in the portrait is a juniper tree. The reverse of the portrait is decorated with a juniper sprig encircled by a wreath of laurel and palm and is memorialized by the phrase VIRTUTEM FORMA DECORAT ("beauty adorns virtue"). The Italian word for juniper is "ginepro", which suggests that the juniper motif was used here as a symbolic pun on Ginevra's name. Fittingly, juniper was also a Renaissance symbol for chastity.
The portrait is one of the highlights of the National Gallery of Art, and is admired by many for its portrayal of Ginevra's temperament. Ginevra is beautiful but austere; she has no hint of a smile and her gaze, though forward, seems indifferent to the viewer. A strip from the bottom of the painting was removed in the past, presumably due to damage, and Ginevra's arms and hands were lost. Using the golden section, Susan Dorothea White has drawn an interpretation of how her arms and hands may have been positioned in the original.
According to Giorgio Vasari, Ginevra de' Benci was also included in the fresco by Domenico Ghirlandaio of the Visitation of Mary and Elizabeth in the church of Santa Maria Novella in Florence, but it is now believed that Vasari made a mistake and that Ghirlandaio painted Giovanna Tornabuoni.
It's very short.. ㅠ3ㅠ;; Thank you~~
History presentation reserch
This saturady, I will do history presentation.. So I reserched a lot..
I 'm going to write my reserch paper for the last week and also this week~^^
Last Week..
My topic was bout 'Lady with an ermine witch is a portrait..'
Lady with an Ermine is a painting by Leonardo da Vinci, from around 1489–1490. The subject of the portrait is identified as Cecilia Gallerani, and was probably painted at a time when she was the mistress of Lodovico Sforza, Duke of Milan and Leonardo was in the service of the Duke.
The painting is one of only four female portraits painted by Leonardo, the others being the Mona Lisa, the portrait of Ginevra de' Benci and La belle ferronnière. It is displayed by the Czartoryski Museum, Kraków, Poland and is cited in the museum's guide as the first truly modern portrait. When exhibited in The Museum of Fine Arts, Houston, it was described as "signal[ling] a breakthrough in the art of psychological portraiture".
Subject and symbolism
Small portrait generally called The Lady with the Ermine was painted in oils on wooden panel by Leonardo da Vinci. At the time of its painting, the medium of oil paint was relatively new to Italy, having been introduced in the 1470s. Leonardo was one of those artists who adopted the new medium and skillfully exploited its qualities. The sitter has been identified with reasonable security as Cecilia Gallerani who was the mistress of Leonardo's employer, Lodovico Sforza, known as Lodovico il Moro.
At the time of her portrait, Cecilia was about sixteen. She was one of a large family, neither rich nor noble. Her father served for a time at the Duke's court. Cecilia was renowned for her beauty, her scholarship, and her poetry. She was betrothed at the age of about ten years to a young nobleman of the house of Visconti but the marriage was called off. Cecilia became the mistress of the Duke and bore him a son, but he chose to marry a girl from a nobler family, Beatrice d'Este.
The painting shows a half-length figure, the body of the young woman turned at a three-quarter angle towards her right, but her face turned towards her left. Her gaze is directed neither straight ahead, nor towards the viewer, but towards a "third party" beyond the picture's frame. In her arms Cecilia holds a small white creature which is described in the painting's title as an ermine, but which may in fact be better described as a ferret Cecilia's dress is comparatively simple, revealing that she is not a noblewoman. Her coiffure, known as a "coazone", confines her hair smoothly to her head with two bands of hair bound on either side of her face and a long plait at the back. Her hair is held in place by a fine gauze veil with a woven border of gold-wound threads, a black band and a sheath over the plait.
There are several interpretations of the significance of the ermine in her portrait. The ermine, a stoat in its winter coat, was a traditional symbol of purity because it was believed that an ermine would face death rather than soil its white coat: Leonard amused himself by compiling a bestiary in his old age; in it he recorded
As in many of Leonardo's paintings, the composition comprises a pyramidic spiral and the sitter is caught in the motion of turning to her left, reflecting Leonardo's life-long preoccupation with the dynamics of movement. The three-quarter profile portrait was one of his many innovations. Il Moro's court poet, Bernardo Bellincioni, was the first to propose that Cecilia is poised as if listening to an unseen speaker.
This work in particular shows Leonardo's expertise in painting the human form. The outstretched hand of Cecilia was painted with great detail. Leonardo paints every contour of each fingernail, each wrinkle around her knuckles, and even the flexing of the tendon in her bent finger.
The painting is in oil on a thin walnut wood panel, about 4 to 5 mm thick, prepared with a layer of white gesso and a layer of brownish underpaint. The panel is in good condition apart from a break to the upper left side of the picture. Its size has never been altered, as indicated by a narrow unpainted strip on all four sides of the painting. The background was thinly overpainted with unmodulated black, probably between 1830 and 1870, when the damaged corner was restored. It has been suggested that it was Eugène Delacroix who painted the background. The previous colour of the background was a bluish grey.
X-ray and microscopic analysis have revealed the charcoal-pounced outline of the pricked preparatory drawing on the prepared undersurface, a technique Leonardo learned in the studio of Verrocchio.
The painted surface reveals that apart from the black of the background, and some abrasion caused by cleaning, the painting is almost entirely by the master’s hand. There has been some slight retouching of her features in red, and the edge of the veil in ochre. Some scholars believe that there is also some later retouching of the hands. Leonardo's fingerprints have been found in the surface of the paint indicating that he used his fingers to blend his delicate brushstrokes. Kwiatkowski observed that Leonardo had used his left hand to paint the coat of the ermine.
In the book of 1877 about Leonardo it is said that the location of Cecilia's portrait is not known and its owners in the eighteenth century are mentioned: "It is said that the original portrait of the beautiful Cecilia was, during the last century, in the possession of the Marquis Boursane at Milan. But where is it now?".[ Perhaps Adam Czartoryski bought the picture from them. Currently the painting is in Old Town, Warsaw, on display at the Royal Castle.
Thanyk you~
I 'm going to write my reserch paper for the last week and also this week~^^
Last Week..
My topic was bout 'Lady with an ermine witch is a portrait..'
Lady with an Ermine is a painting by Leonardo da Vinci, from around 1489–1490. The subject of the portrait is identified as Cecilia Gallerani, and was probably painted at a time when she was the mistress of Lodovico Sforza, Duke of Milan and Leonardo was in the service of the Duke.
The painting is one of only four female portraits painted by Leonardo, the others being the Mona Lisa, the portrait of Ginevra de' Benci and La belle ferronnière. It is displayed by the Czartoryski Museum, Kraków, Poland and is cited in the museum's guide as the first truly modern portrait. When exhibited in The Museum of Fine Arts, Houston, it was described as "signal[ling] a breakthrough in the art of psychological portraiture".
Subject and symbolism
Small portrait generally called The Lady with the Ermine was painted in oils on wooden panel by Leonardo da Vinci. At the time of its painting, the medium of oil paint was relatively new to Italy, having been introduced in the 1470s. Leonardo was one of those artists who adopted the new medium and skillfully exploited its qualities. The sitter has been identified with reasonable security as Cecilia Gallerani who was the mistress of Leonardo's employer, Lodovico Sforza, known as Lodovico il Moro.
At the time of her portrait, Cecilia was about sixteen. She was one of a large family, neither rich nor noble. Her father served for a time at the Duke's court. Cecilia was renowned for her beauty, her scholarship, and her poetry. She was betrothed at the age of about ten years to a young nobleman of the house of Visconti but the marriage was called off. Cecilia became the mistress of the Duke and bore him a son, but he chose to marry a girl from a nobler family, Beatrice d'Este.
The painting shows a half-length figure, the body of the young woman turned at a three-quarter angle towards her right, but her face turned towards her left. Her gaze is directed neither straight ahead, nor towards the viewer, but towards a "third party" beyond the picture's frame. In her arms Cecilia holds a small white creature which is described in the painting's title as an ermine, but which may in fact be better described as a ferret Cecilia's dress is comparatively simple, revealing that she is not a noblewoman. Her coiffure, known as a "coazone", confines her hair smoothly to her head with two bands of hair bound on either side of her face and a long plait at the back. Her hair is held in place by a fine gauze veil with a woven border of gold-wound threads, a black band and a sheath over the plait.
There are several interpretations of the significance of the ermine in her portrait. The ermine, a stoat in its winter coat, was a traditional symbol of purity because it was believed that an ermine would face death rather than soil its white coat: Leonard amused himself by compiling a bestiary in his old age; in it he recorded
MODERATION The ermine our of moderation never eats but once a day, and it would rather let itself be captured by hunters than take refuge in a dirty lair, in order not to stain its purity";he repeats in another note, "Moderation curbs all the vices. The ermine prefers to die rather than soil itself." Ermines were kept as pets by the aristocracy and their white pelts were used to line or trim aristocratic garments. For Ludovico il Moro the ermine had a further personal significance in that he had been in the Order of the Ermine in 1488 and used it as a personal emblem. The association of the ermine with Cecilia could have been multiply intended, referring to her purity and to the status of her lover. Alternatively, the ermine could be a pun on her name because the Greek for ermine is galay. This would be in keeping with Leonardo's placement of a juniper bush behind the figure in his portrait of Ginevra de Benci in reference to her name. Given that Gallerani gave birth to a son acknowledged by Lodovico in May of 1491, and the association of weasels and pregnancy in Italian Renaissance culture, it is also possible that the animal was a symbol of Cecilia's pregnancy. In addition, it has been speculated that the animal in the painting appears to be not an ermine but a white ferret, a colour favoured in the Middle Ages because of the ease of seeing the white animal in thick undergrowth.
As in many of Leonardo's paintings, the composition comprises a pyramidic spiral and the sitter is caught in the motion of turning to her left, reflecting Leonardo's life-long preoccupation with the dynamics of movement. The three-quarter profile portrait was one of his many innovations. Il Moro's court poet, Bernardo Bellincioni, was the first to propose that Cecilia is poised as if listening to an unseen speaker.
This work in particular shows Leonardo's expertise in painting the human form. The outstretched hand of Cecilia was painted with great detail. Leonardo paints every contour of each fingernail, each wrinkle around her knuckles, and even the flexing of the tendon in her bent finger.
Conservation
The ‘’Lady with an ermine’’ has been subject to two detailed laboratory examinations. The first was in the Warsaw Laboratories, the findings being published by K. Kwiatkowski in 1955. In 1992, the painting underwent examination and restoration in the Washington National Gallery Laboratories under the supervision of David Bull.The painting is in oil on a thin walnut wood panel, about 4 to 5 mm thick, prepared with a layer of white gesso and a layer of brownish underpaint. The panel is in good condition apart from a break to the upper left side of the picture. Its size has never been altered, as indicated by a narrow unpainted strip on all four sides of the painting. The background was thinly overpainted with unmodulated black, probably between 1830 and 1870, when the damaged corner was restored. It has been suggested that it was Eugène Delacroix who painted the background. The previous colour of the background was a bluish grey.
X-ray and microscopic analysis have revealed the charcoal-pounced outline of the pricked preparatory drawing on the prepared undersurface, a technique Leonardo learned in the studio of Verrocchio.
The painted surface reveals that apart from the black of the background, and some abrasion caused by cleaning, the painting is almost entirely by the master’s hand. There has been some slight retouching of her features in red, and the edge of the veil in ochre. Some scholars believe that there is also some later retouching of the hands. Leonardo's fingerprints have been found in the surface of the paint indicating that he used his fingers to blend his delicate brushstrokes. Kwiatkowski observed that Leonardo had used his left hand to paint the coat of the ermine.
Provenance
The painting was acquired in Italy by Prince Adam Jerzy Czartoryski, the son of Princess Izabela Czartoryska and Prince Adam Kazimierz Czartoryski in 1798 and incorporated into the Czartoryskis’ family collections at Puławy in 1800. The inscription on the top-left hand corner of the painting, LA BELE FERIONIERE. LEONARD D'AWINCI., was probably added by a restorer shortly after its arrival in Poland,and before the background was overpainted. Czartoryski was clearly aware that it was a Leonardo, though the painting had not ever been discussed in print; unfortunately, there is no record of any previous owner. The Belle Ferronière is the Leonardo portrait in the Louvre, whose sitter bears such a close resemblance that the Czartoryskis considered this sitter to be the same. The painting travelled extensively in the nineteenth century; Princess Czartoryski rescued it in advance of the invading Russian army in 1830, hid it, then sent it to Dresden and on to the Czartoryski place of exile in Paris, the Hôtel Lambert, returning it to Kraków in 1882. In 1939, almost immediately after the German occupation of Poland, it was seized by the Nazis and sent to the Kaiser Friedrich Museum in Berlin. In 1940 Hans Frank, the Governor General of Poland, requested that it be returned to Kraków, where it hung in his suite of offices. At the end of the Second World War it was discovered by Allied troops in Frank's country home in Bavaria. It has since returned to Poland and is once more on display at the Czartoryski Museum in Kraków.In the book of 1877 about Leonardo it is said that the location of Cecilia's portrait is not known and its owners in the eighteenth century are mentioned: "It is said that the original portrait of the beautiful Cecilia was, during the last century, in the possession of the Marquis Boursane at Milan. But where is it now?".[ Perhaps Adam Czartoryski bought the picture from them. Currently the painting is in Old Town, Warsaw, on display at the Royal Castle.
Thanyk you~
My roommates..
This is the last week at GLPS, so, I will talk about roommates.
이승현-Olivia
김다인-??
김주은-Sarah
주보경_??
최하정-??
and me~!!! Annabeth~!
I will talk about my roommates, first, Olivia.
Olivia is very fun and smart!! She is in class 22.. She is really smart!!
She came to GLPS for times, and this is the 3rd time of her camp! !@! (I was very surprised!+_+;;)
She is very fun. Her dance is very good+fun!! She is a good singer too!@!
I will miss her very much..ㅠㅠ She helped me a lot related with debate, history presentation and so on..
다인, is my roommate too.. She is in class 6, and her advisor teacher is Mr. Haley which was my lass advisor teacher at summer GLPS.. So we have some bond of sympathy .. She is very kind~Like her advisor teacher, she gives lots of snack~ HAHA.. And she looks like a cat and looks very cute. I will miss her too~
하정, is my other room roommate..(?) She is in class 8, and really kind and beautiful~ I sometimes envy her hairstyle.. Her hairstyle is really good~! She gives us lots of snack too! But this week she injured.. ㅠㅠ
fighting~!♡
주은, Everyone in my room says that 주은 is the kindest roommates in my room.. I agree with this fact! She is really kind and very cute too~ She looks like a racoon..
I want to write more about my roommates, but I have no time..ㅠ3ㅠ.. Bye~~
이승현-Olivia
김다인-??
김주은-Sarah
주보경_??
최하정-??
and me~!!! Annabeth~!
I will talk about my roommates, first, Olivia.
Olivia is very fun and smart!! She is in class 22.. She is really smart!!
She came to GLPS for times, and this is the 3rd time of her camp! !@! (I was very surprised!+_+;;)
She is very fun. Her dance is very good+fun!! She is a good singer too!@!
I will miss her very much..ㅠㅠ She helped me a lot related with debate, history presentation and so on..
다인, is my roommate too.. She is in class 6, and her advisor teacher is Mr. Haley which was my lass advisor teacher at summer GLPS.. So we have some bond of sympathy .. She is very kind~Like her advisor teacher, she gives lots of snack~ HAHA.. And she looks like a cat and looks very cute. I will miss her too~
하정, is my other room roommate..(?) She is in class 8, and really kind and beautiful~ I sometimes envy her hairstyle.. Her hairstyle is really good~! She gives us lots of snack too! But this week she injured.. ㅠㅠ
fighting~!♡
주은, Everyone in my room says that 주은 is the kindest roommates in my room.. I agree with this fact! She is really kind and very cute too~ She looks like a racoon..
I want to write more about my roommates, but I have no time..ㅠ3ㅠ.. Bye~~
Last week in GLPS..
Everyone !!! Please remember me!!
15th Winter GLPS class 2NE1, Lee yu yeon, Annabeth~♡3♡;;
I ♥ U everyone~~!!!
2011년 1월 24일 월요일
Writing -3nd Person(short story that I made)
I'm going to write about 3rd person's view..
She woke up at 8: 3 am today at the GLPS and shocked!! She think that " I'm late for class!!!!!" Then, she hurried prepareing . She brushed her teeth, changed her cloth. She leave the dormitary and ran to the Da San Gwan. Everyone in her class was staring her and saying "you have to get Yellow card!!". It is very hard for her to aviod this eyes that watching her. So she get a yellow card. But When she finish the class and going up to dormitary to eat lunch, she get an E.O.P paper. She was very angry. However, after class she wants to eat dinner and the way to going up to the dormitary, she fight with her friend and get a red card.. How Poor~~
A bad day at GLPS..
She woke up at 8: 3 am today at the GLPS and shocked!! She think that " I'm late for class!!!!!" Then, she hurried prepareing . She brushed her teeth, changed her cloth. She leave the dormitary and ran to the Da San Gwan. Everyone in her class was staring her and saying "you have to get Yellow card!!". It is very hard for her to aviod this eyes that watching her. So she get a yellow card. But When she finish the class and going up to dormitary to eat lunch, she get an E.O.P paper. She was very angry. However, after class she wants to eat dinner and the way to going up to the dormitary, she fight with her friend and get a red card.. How Poor~~
Writing -2nd Person(short story that I made)
I'm going to write the 2nd person's view..
You wake up at 8'o clock. When you turn around and watch outside, you are at the KMLA dormitary!! You get out of your bed and go up to the 12th floor. There was some student eating breakfast, and some teachers were talking about students in KMLA. When you entered at the cafateria, everyone watch you at strange eyes. and said "Hey, Crawford!! you have to go to class right now!! Oh my god,, Everyone was looking for you!!" You are very embarrassed and look around and ask where is the class. Everyone inside the cafateria looked disconcerted and teach the way to go to the class. When you go in to the class, teacher shouted to you and say that
" you didn't do your homework 3 times and also, you are late for class!!"
Teacher just come to you and say that you have to be hit. So you give your two hands and preparing to beaten. When your teacher came to you and beat you. But you didnot felt anything!! WOW!! So you look around one more time. But!! you are in your own home.. Oh,, It was your dream.. HAHAHA,, This was my short stort that I made..
Thank you~~
You wake up at 8'o clock. When you turn around and watch outside, you are at the KMLA dormitary!! You get out of your bed and go up to the 12th floor. There was some student eating breakfast, and some teachers were talking about students in KMLA. When you entered at the cafateria, everyone watch you at strange eyes. and said "Hey, Crawford!! you have to go to class right now!! Oh my god,, Everyone was looking for you!!" You are very embarrassed and look around and ask where is the class. Everyone inside the cafateria looked disconcerted and teach the way to go to the class. When you go in to the class, teacher shouted to you and say that
" you didn't do your homework 3 times and also, you are late for class!!"
Teacher just come to you and say that you have to be hit. So you give your two hands and preparing to beaten. When your teacher came to you and beat you. But you didnot felt anything!! WOW!! So you look around one more time. But!! you are in your own home.. Oh,, It was your dream.. HAHAHA,, This was my short stort that I made..
Thank you~~
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